By Daniel Defoe
In 1665 the plague swept via London, claiming over 97,000 lives. Daniel Defoe used to be simply 5 on the time of the plague, yet he later known as on his personal thoughts, in addition to his writing event, to create this vibrant chronicle of the epidemic and its sufferers. 'A Journal' (1722) follows Defoe's fictional narrator as he lines the devastating growth of the plague during the streets of London. the following we see a urban reworked: a few of its streets suspiciously empty, a few - with crosses on their doorways - overwhelmingly filled with the sounds and scents of human discomfort. and each residing citizen he meets has a frightening tale that calls for to be heard.
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Additional info for A Journal of the Plague Year
Though religious belief and practice are rarely the subject of the stories, invocations to God – ‘In the Name of God’, ‘Praise be to God’, ‘I take refuge in God’, ‘From God we come and to Him do we return’ – come as easily to the Muslims in the street as breathing. However, it is fate, not God, which governs their destinies. There are many stories about richly apparelled and libidinous princes and princesses and their hunting, feasting and music making, designed, in part, to stir up envy. But one should not ignore the fact there are other stories in the Nights which suggest that there is a mystical meaning to the way the world works and which call their audience to repentance.
Let us return to the merchant who sits minding his business when a veiled woman enters his shop and summons him to follow her. He is a man who has been waiting for a story to happen to him. The Arabian Nights should be understood as the collective dreaming of commercial folk in the great cities of the medieval Arab world. It seems clear from the marginal jottings made on manuscripts of the Nights that have survived that most of their borrowers and readers were shopkeepers and other people engaged in trade in the big cities – Aleppo, Baghdad, Basra, Cairo and Damascus.
Visiting merchants lodge in caravanserais, hotels-cum-warehouses, in which their goods are usually stored on the ground floor while they sleep in the upper galleries. Prosperous domestic houses usually present austere outer façades that belie the wealth and ornamentation to be found within. The more prosperous dwellings are often built around a central courtyard with the reception room on the first floor. The poor sleep in tenement buildings, shanties or holes in the ground. Less frequently, the adventures of the Nights take place outside the city.
A Journal of the Plague Year by Daniel Defoe