By Neil Leach
Architecture and Revolution explores the implications of the 1989 revolutions in imperative and jap Europe from an architectural point of view. It offers new writings from a workforce of popular architects, philosophers and cultural theorists from either the East and the West. They discover the questions over the equipped atmosphere that now face architects, planners and politicians within the area. They learn the issues of structures inherited from the communist period: a few are environmentally insufficient, many have been designed to serve a now redundant social programme and others hold the stigma of organization with past regimes. participants comprise: Daniel Libeskind, Bernard Tschumi, Laura Mulvey, Helene Cixous, Andrew Benjamin and Frederic Jameson.
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Extra resources for Architecture and Revolution: Contemporary Perspectives on Central and Eastern Europe
In the new situation, however, it becomes possible to start opening up the early biographies of some key individuals to show a much richer picture. 3 Gan is well known for playing various roles as theorist, publicist and typographical designer at the heart of Moscow avant-garde art and architecture from 1920 onwards. His Constructivism opens with a lengthy quotation from the Communist Manifesto of 1848 and his reference point throughout is ‘the proletariat with its sound Marxist materialism’. However, he is merciless in hi s critiq ue of the Bolshevik Pa cultural leadership.
I don’t know where they ate. They seemed quite ordinary people if somewhat sentimental. They played the mandolin and had arguments. 69 Much of these artists’ writing in Anarkhiia and elsewhere at this time rings with a natural artistic anarchism that does not of itself indicate ideological conversion, though coincidences of vocabulary and common themes need analysing further. The only example that I have found so far of a direct identification between their work and anarchism is by Malevich, in one of his last Anarkhiia pieces published on 20 June 1918.
No amount of ‘communicating one’s fantasies about the communist city’ would serve ‘to create a clear understanding in the citizen’s own mind about the meaning of public ownership’ in this sphere. ’ But: the first stage towards solving the city as ‘the communist expression of material structures’ is to get orientated. First of all we must study the experience of the last five years, in the course of which the proletarian revolution, as the first stage towards the 22 Catherine Cooke communist transformation, has visibly altered the bourgeois capitalist city.
Architecture and Revolution: Contemporary Perspectives on Central and Eastern Europe by Neil Leach